Online learning and performance anxiety among vocal university students in a Ukrainian frontline city during wartime in the context of sociology of music
stmm. 2026 (3): 176–191
DOI https://doi.org/10.15407/sociology2026.03.176
Full text:
KATERYNA BATAEVA, Doctor of Sciences in Philosophy, Professor at the Department of Social Rehabilitation Technologies, Zhytomyr Institute of Economics and Humanities, University “Ukraine” (18, Vilskyi Shliakh St., Zhytomyr, 10020)
bataevaekaterina72@yahoo.com
https://orcid.org/0000-0002-4628-4817
SCOPUS ID: 57204186366
OLHA BATAIEVA, Leading concertmaster, Department of Solo Singing and Opera Training, Kharkiv I. Kotlyarevsky National University of Arts (11/13, Maidan Konstytutsii, Kharkiv, 61003)
olhabataieva69@meta.ua
https://orcid.org/0009-0000-6180-5265
In this article, we explore the specifics of online learning and music performance anxiety among vocal students at a conservatory in a frontline city of Kharkiv during the Russo-Ukrainian war. The empirical part of the article is based on the results of a study conducted from September to December 2025 using semi-structured interviews with twelve vocal students at the Kharkiv I. Kotlyarevsky National University of Arts. This article compares (1) online vocal learning and face-to-face lessons with professional collaborative pianists and teachers; and (2) online performances at virtual concerts with participation in live concerts held in basements or safer cities in Ukraine. Our research reveals the disadvantages of online learning for vocal students during the war: poor acoustics at home; lack of emotional and physical contact with the teacher and collaborative pianist; the absence, or significant limitation of public performances; irregular vocal lessons; and a decrease in motivation to learn. The advantages of online learning and performances for vocal students include the opportunity to focus on self-education; improvement of skills in working with various internet platforms for editing audio and video; and improvement of skills in critical self-analysis of their performances based on recordings. The current study found out two factors affecting vocal university students’ MPA during the war: prolonged online learning and negative emotions associated with frequent shelling of the frontline city. It can be concluded that prolonged online learning interrupts vocal students’ experience of accumulating public performances in front of a live audience, which does not contribute to the formation of a musician’s self-efficacy (especially if this occurs during the formation of their professional identity).
Keywords: online learning, music performance anxiety (MPA), vocal university students, wartime, sociology of music
References:
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Bandura, A. (1997). Self-efficacy: The exercise of control. New York: W.H. Freeman and Co.
Bataeva, E. & von Löwis, S. (2025). Higher Education in a Frontline City During the Russian-Ukrainian War and COVID-19 Pandemic. In: O. Lytvynov, V. Pavlikov, D. Krytskyi (Eds.), Lecture Notes in Networks and Systems (1474, pp. 156-167). Cham, ZUG: Springer. https://doi.org/10.1007/978-3-031-94852-7_13
Bataeva, K. (2025). Higher education in a frontline city during the Russian-Ukrainian war: cumulative effects of prolonged online learning. [In Ukrainian]. Sociology: Theory, Methods, Marketing, 2, 116-134. https://doi.org/10.15407/sociology2025.02.116
Bataeva, E. (2026). Front line and frontline cities during the Russian-Ukrainian war in the context of border and urban studies. Journal of Borderlands Studies, 1-25. https://doi.org/10.1080/08865655.2026.2637495
Biasutti, M., Antonini Philippe, R., & Schiavio, A. (2022). Assessing teachers' perspectives on giving music lessons remotely during the COVID-19 lockdown period. Musicae Scientiae, 26(3), 585-603. https://doi.org/10.1177/1029864921996033
Biwer, F., Wiradhany, W., Oude Egbrink, M., Hospers, H., Wasenitz, S., Jansen, W. et al. (2021). Changes and adaptations: how University students self-regulate their online learning during the COVID-19 pandemic. Frontiers in Psychology, 12, 1-12. https://doi.org/10.3389/fpsyg.2021.642593
Barbeau, A.-K., Boucher, H., & Héroux, I. (2023). The effects of the pandemic on music teaching in schools in Quebec (Canada) in the spring and fall of 2020. International Journal of Music Education, 42(2), 285-299. https://doi.org/10.1177/02557614231157101
Barros, S., Marinho, H., França, A. B., & Pereira, A. (2024). Music performance anxiety: A study of anxiety predictors in higher education music students in Portugal. International Journal of Music Education, September. https://doi.org/10.1177/02557614241280040
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Camlin, D. & Lisboa, T. (2021). The digital 'turn' in music education (editorial). Music Education Research, 23(2), 129-138. https://doi.org/10.1080/14613808.2021.1908792
Casanova, O., Zarza, F.J., & Orejudo, S. (2018). Differences in performance anxiety levels among advanced conservatory students in Spain, according to type of instrument and academic year of enrolment. Music Education Research, 20, 377-389. https://doi.org/10.1080/14613808.2018.1433145
Cheng, L., Lam, C.Y., & Leung, C.H. (2023). Digital competencies of music teachers under the 'new normal' in Hong Kong. International Journal of Music Education, 42(4), 535-549. https://doi.org/10.1177/02557614231186413
Chernyavska, M., Savchenko, H., & Borysenko, M. (2025). Situatedness generated by war: Artistic reaction of Kharkiv musicians to the military aggression and its consequences. Art Design and Communication in Higher Education 24(1): 77-94. https://doi.org/10.1386/adch_00109_1
Coşkun-Şentürk, G. & Çırakoğlu, O.C. (2017). How guilt/shame proneness and coping styles are related to music performance anxiety and stress symptoms by gender. Psychology of Music, 46(5), 682-698. https://doi.org/10.1177/0305735617721338
Crawford, R. (2017). Rethinking teaching and learning pedagogy for education in the twenty-first century: blended learning in music education. Music Education Research, 19(2), 195-213. https://doi.org/10.1080/14613808.2016.1202223
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Densley, B., Andrews, K., & Flynn, T. (2025). How Australian singers experienced disruption to choir participation caused by pandemic lockdowns: A thematic analysis. Psychology of Music, 53(1), 111-126. https://doi.org/10.1177/03057356241234052
Digolo, B.A., Andang'o, E.A., & Katuli, J. (2011). E-Learning as a Strategy for Enhancing Access to Music Education. International Journal of Business and Social Science, 1(11), 135-139.
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Received 07.02.2026
Accepted for publication after review 12.06.2026
Online learning and performance anxiety among vocal university students in a Ukrainian frontline city during wartime in the context of sociology of music
stmm. 2026 (3): 176–191
DOI https://doi.org/10.15407/sociology2026.03.176
Full text:
KATERYNA BATAEVA, Doctor of Sciences in Philosophy, Professor at the Department of Social Rehabilitation Technologies, Zhytomyr Institute of Economics and Humanities, University “Ukraine” (18, Vilskyi Shliakh St., Zhytomyr, 10020)
bataevaekaterina72@yahoo.com
https://orcid.org/0000-0002-4628-4817
SCOPUS ID: 57204186366
OLHA BATAIEVA, Leading concertmaster, Department of Solo Singing and Opera Training, Kharkiv I. Kotlyarevsky National University of Arts (11/13, Maidan Konstytutsii, Kharkiv, 61003)
olhabataieva69@meta.ua
https://orcid.org/0009-0000-6180-5265
In this article, we explore the specifics of online learning and music performance anxiety among vocal students at a conservatory in a frontline city of Kharkiv during the Russo-Ukrainian war. The empirical part of the article is based on the results of a study conducted from September to December 2025 using semi-structured interviews with twelve vocal students at the Kharkiv I. Kotlyarevsky National University of Arts. This article compares (1) online vocal learning and face-to-face lessons with professional collaborative pianists and teachers; and (2) online performances at virtual concerts with participation in live concerts held in basements or safer cities in Ukraine. Our research reveals the disadvantages of online learning for vocal students during the war: poor acoustics at home; lack of emotional and physical contact with the teacher and collaborative pianist; the absence, or significant limitation of public performances; irregular vocal lessons; and a decrease in motivation to learn. The advantages of online learning and performances for vocal students include the opportunity to focus on self-education; improvement of skills in working with various internet platforms for editing audio and video; and improvement of skills in critical self-analysis of their performances based on recordings. The current study found out two factors affecting vocal university students’ MPA during the war: prolonged online learning and negative emotions associated with frequent shelling of the frontline city. It can be concluded that prolonged online learning interrupts vocal students’ experience of accumulating public performances in front of a live audience, which does not contribute to the formation of a musician’s self-efficacy (especially if this occurs during the formation of their professional identity).
Keywords: online learning, music performance anxiety (MPA), vocal university students, wartime, sociology of music
References:
ACLED's Ukraine Conflict Monitor. (2025). Retrieved from: https://acleddata.com/monitor/ukraine-conflict-monitor
Bandura, A. (1997). Self-efficacy: The exercise of control. New York: W.H. Freeman and Co.
Bataeva, E. & von Löwis, S. (2025). Higher Education in a Frontline City During the Russian-Ukrainian War and COVID-19 Pandemic. In: O. Lytvynov, V. Pavlikov, D. Krytskyi (Eds.), Lecture Notes in Networks and Systems (1474, pp. 156-167). Cham, ZUG: Springer. https://doi.org/10.1007/978-3-031-94852-7_13
Bataeva, K. (2025). Higher education in a frontline city during the Russian-Ukrainian war: cumulative effects of prolonged online learning. [In Ukrainian]. Sociology: Theory, Methods, Marketing, 2, 116-134. https://doi.org/10.15407/sociology2025.02.116
Bataeva, E. (2026). Front line and frontline cities during the Russian-Ukrainian war in the context of border and urban studies. Journal of Borderlands Studies, 1-25. https://doi.org/10.1080/08865655.2026.2637495
Biasutti, M., Antonini Philippe, R., & Schiavio, A. (2022). Assessing teachers' perspectives on giving music lessons remotely during the COVID-19 lockdown period. Musicae Scientiae, 26(3), 585-603. https://doi.org/10.1177/1029864921996033
Biwer, F., Wiradhany, W., Oude Egbrink, M., Hospers, H., Wasenitz, S., Jansen, W. et al. (2021). Changes and adaptations: how University students self-regulate their online learning during the COVID-19 pandemic. Frontiers in Psychology, 12, 1-12. https://doi.org/10.3389/fpsyg.2021.642593
Barbeau, A.-K., Boucher, H., & Héroux, I. (2023). The effects of the pandemic on music teaching in schools in Quebec (Canada) in the spring and fall of 2020. International Journal of Music Education, 42(2), 285-299. https://doi.org/10.1177/02557614231157101
Barros, S., Marinho, H., França, A. B., & Pereira, A. (2024). Music performance anxiety: A study of anxiety predictors in higher education music students in Portugal. International Journal of Music Education, September. https://doi.org/10.1177/02557614241280040
Calderуn-Garrido, D. & Gustems-Carnicer, G. (2021). Adaptations of music education in primary and secondary school due to COVID-19: The experience in Spain. Music Education Research, 23(2), 139-150. https://doi.org/10.1080/14613808.2021.1902488
Camlin, D. & Lisboa, T. (2021). The digital 'turn' in music education (editorial). Music Education Research, 23(2), 129-138. https://doi.org/10.1080/14613808.2021.1908792
Casanova, O., Zarza, F.J., & Orejudo, S. (2018). Differences in performance anxiety levels among advanced conservatory students in Spain, according to type of instrument and academic year of enrolment. Music Education Research, 20, 377-389. https://doi.org/10.1080/14613808.2018.1433145
Cheng, L., Lam, C.Y., & Leung, C.H. (2023). Digital competencies of music teachers under the 'new normal' in Hong Kong. International Journal of Music Education, 42(4), 535-549. https://doi.org/10.1177/02557614231186413
Chernyavska, M., Savchenko, H., & Borysenko, M. (2025). Situatedness generated by war: Artistic reaction of Kharkiv musicians to the military aggression and its consequences. Art Design and Communication in Higher Education 24(1): 77-94. https://doi.org/10.1386/adch_00109_1
Coşkun-Şentürk, G. & Çırakoğlu, O.C. (2017). How guilt/shame proneness and coping styles are related to music performance anxiety and stress symptoms by gender. Psychology of Music, 46(5), 682-698. https://doi.org/10.1177/0305735617721338
Crawford, R. (2017). Rethinking teaching and learning pedagogy for education in the twenty-first century: blended learning in music education. Music Education Research, 19(2), 195-213. https://doi.org/10.1080/14613808.2016.1202223
Dammers, R.J. (2009). Utilizing internet-based videoconferencing for instrumental music lessons. Update Applications of Research in Music Education, 28, 17-24. https://doi.org/10.1177/8755123309344159
De Bruin, L. (2021). Instrumental music educators in a COVID landscape: a reassertion of relationality and connection in teaching practice. Frontiers in Psychology, 11, 1-12. https://doi.org/10.3389/fpsyg.2020.624717
Dembitskyi, S., Golovakha, Ye., Stepanenko, V. (2025). Stressful conditions of the Ukrainian population in the context of war: experience of sociological research. [In Ukrainian]. Kyiv: Institute of Sociology, NAS of Ukraine. https://doi.org/10.15407/book6.978-617-14-0327-7
Dembitskyi, S., Stepanenko, V., Zlobina, O., Golovakha, Ye., Naidionova, L. (2024). Psychological stressors of wartime: prevalence and effects among the population of Ukraine. [In Ukrainian]. Sociology: Theory, Methods, Marketing, 4, 5-26. https://doi.org/10.15407/sociology2024.04.005
Densley, B., Andrews, K., & Flynn, T. (2025). How Australian singers experienced disruption to choir participation caused by pandemic lockdowns: A thematic analysis. Psychology of Music, 53(1), 111-126. https://doi.org/10.1177/03057356241234052
Digolo, B.A., Andang'o, E.A., & Katuli, J. (2011). E-Learning as a Strategy for Enhancing Access to Music Education. International Journal of Business and Social Science, 1(11), 135-139.
Dobos, B., Piko, B.F., & Kenny, D.T. (2019). Music performance anxiety and its relationship with social phobia and dimensions of perfectionism. Research Studies in Music Education, 41(3), 310-326. https://doi.org/10.1177/1321103X18804295
Filanová, J., Ondrašová, I. & Töröková, A. (2020). Quality evaluation of audio and video signals in videoconferences. Acta Polytechnica Hungarica, 17(7), 89-108. https://doi.org/10.12700/APH.17.7.2020.7.5
Franěk, M. (2009). Is noise sensitivity influenced by musical factors. In: 10th WSEAS International Conference on Acoustics & Music: Theory & Applications. Wiscons, United States. Retrieved from: https://www.researchgate.net/publication/228436041_Is_noise_sensitivity_influenced_by_musical_factors
Gaunt, H. (2011). Understanding the one-to-one relationship in instrumental/vocal tuition in Higher Education: comparing student and teacher perceptions. British Journal of Music Education, 28, 159-179. https://doi.org/10.1017/S0265051711000052
Hash, P.M. (2021). Remote learning in school bands during COVID-19 shutdown. Journal of Research in Music Education, 68(4), 381-397. https://doi.org/10.1177/0022429420967008
Hernández, A.M. (2021). Online learning in higher music education: Benefits, challenges and drawbacks of one-to-one videoconference instrumental lessons. Journal of Music, Technology and Education, 13(2-3), 181-197. https://doi.org/10.1386/jmte_00022_1
International organization for migration (IOM). (2024). Retrieved from: https://dtm.iom.int/reports/ukraine-thematic-brief-frontline-mobility-and-needs-monitoring-may-2024
Iusca, D. & Dafinoiu, I. (2012). Performance anxiety and musical level of undergraduate students in exam situations: The role of gender and musical instrument. Procedia - Social and Behavioral Sciences, 33, 448-452. https://doi.org/10.1016/j.sbspro.2012.01.161
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Received 07.02.2026
Accepted for publication after review 12.06.2026