Apologetics of Culture as an Apologetics of War: the Case of Werner Sombart
stmm. 2023 (1): 42-55
DOI https://doi.org/10.15407/sociology2023.01.042
Full Text: http://stmm.in.ua/archive/ukr/2023-1/6.pdf
SERHII MAKEIEV, Doctor of Sciences in Sociology, Professor, Head of the Department of Social Structures, Institute of Sociology, National Academy of Sciences of Ukraine (12, Shovkovychna St., Kyiv, 01021)
smakeev950@gmail.com
https://orcid.org/0000-0002-4418-8741
W. Sombart’s attitude to the First World War is characterized in the literature as extremely nationalistic. It made a radical revolution in his perception of the processes in world civilization. He saw in a new light the main conflict of the era — the conflict of national worldviews, and with it the purpose and meaning of the world historical mission of the German people. The war is a phenomenon that has a stressful impact on its participants, transforms feelings and mindsets, ordering the supreme authority of blood, soil, roots, and intellectuals are extremely sensitive to such orders. However, nationalism, even in minimal doses introduced into speech and writing, takes the spoken words and texts beyond the limits of scholarship, turning them into propaganda statements. So the 1915 book "Traders and Heroes. Reflections of a Patriot" belongs to the propaganda genre, which is an apology for the war. In it, the most famous economist and sociologist of his time justifies the war on the part of Germany by the fact that the development of economy, culture, communication, caused and promoted by market capitalism, turns into consequences that destroy the very foundations of human existence. Mainly — the growth of selfish individualism, the desire for comfort and the fullest possible realization of everyday needs and pleasures. According to the author, the war of German "heroes" against the "traders" personified by the British will turn the human race to recognize the paramount importance of high ideals of spiritual culture. This a priori introduced initial distinction is clarified by a set of dichotomous oppositions: "us — them", "high — low", "sacred — profane", "good — evil", "general — individual". Talking from a radically nationalist perspective turns the apologetics of culture into the apologetics of war. As a result, war is one of those rather rare events that are mythologized and mystified in the most radical way. In W. Sombart’s descriptions, the undeniable, as he is convinced, spiritual significance of war obscures and marginalizes the pain, suffering, loss and destruction that accompany it.
Keywords: apology, war, Sombart, propaganda, sociology
References
Antolovich, M. (2019). War of Peoples for World-Views: Werner Sombart and idea from 1914. [In Serbian]. Issues in Ethnology Anthropology, 14, 2, 673–691. [=Антоловић, М. (2019). Рат народа за светоназоре: Вернер Зомбарт и идеjе из 1914. Етноантрополошки проблеми, 14 (2), 673–691].
Bridgham, F. (Ed.) (2006). The First World War as a Clash of Cultures. New York: Camden House.
Chalmers, S. (2020). Negative Mythology. Law and Critique, 31, 59–72.
Fournier, M. (2006). Marcel Moss. A Biography. Tr. by J.M. Todd. Princeton, Oxford: Princeton University Press.
Joas, H. (1990). The Classics of Sociology and the First World War. Thesis Eleven, 27, 101–124.
Joas, H., Knöbl, W. (2013). War in Social Thought. Hobbes to the Present. Princeton: Princeton University Press.
Joas, H. (2021). The Power of the Sacred. An Alternative to the Narrative of Disenchantment. New York: Oxford University Press.
Grundmann, R., Stehr, N. (2001). Why Is Werner Sombart Not Part of the Core of Classical Sociology? From Fame to (Near) Oblivion. Journal of Classical Sociology, 1 (2), 257–287.
Lenger, F. (1995). Verner Sombart als Propagandist eines deutschen Krieges. In: W.J. Mommsen (Ed.), Kultur und Krieg: Die Rolle der Intellektuellen, Künstler und Schriftsteller im Ersten Weltkrieg: De Gruyter Oldenbourg.
Lenger, F. (2012). Werner Sombart 1863–1941. 3rd ed. Munich: C.H. Beck.
Mitzman, A. (1987). Personal Conflict and Ideological Options in Sombart and Weber. In: W.J. Mommsen, J. Osterhammel (Eds.), Max Weber and His Contemporaries (pp. 99–105). London, New York: Routledge, Tailor & Francis Group.
Moore, G. (2001). The Super-Hun and the Super-State: Allied Propaganda and German Philosophy During the First World War. German Life and Letters, 54 (4), 310–330.
Pietilä, K. (2011). Reason of Sociology. George Simmel and Beyond. London: SAGE Publications Ltd.
Sombart, V. (2018). Händler und Helden: Patriotische Besinnungen. German Ed. Birmingham: Wentworth Press.
Sombart, V. (2021). Traders and Heroes. Patriotic Reflection. London: Arctos.
Whyte, I.B. (2006). Anglo-German Conflict in Popular Fiction 1870–1914. In: F. Bridgham (Ed.), The First World War as a Clash of Cultures (pp. 41–100). New York: Camden House.
Received 05.12.2022
Apologetics of Culture as an Apologetics of War: the Case of Werner Sombart
stmm. 2023 (1): 42-55
DOI https://doi.org/10.15407/sociology2023.01.042
Full Text: http://stmm.in.ua/archive/ukr/2023-1/6.pdf
SERHII MAKEIEV, Doctor of Sciences in Sociology, Professor, Head of the Department of Social Structures, Institute of Sociology, National Academy of Sciences of Ukraine (12, Shovkovychna St., Kyiv, 01021)
smakeev950@gmail.com
https://orcid.org/0000-0002-4418-8741
W. Sombart’s attitude to the First World War is characterized in the literature as extremely nationalistic. It made a radical revolution in his perception of the processes in world civilization. He saw in a new light the main conflict of the era — the conflict of national worldviews, and with it the purpose and meaning of the world historical mission of the German people. The war is a phenomenon that has a stressful impact on its participants, transforms feelings and mindsets, ordering the supreme authority of blood, soil, roots, and intellectuals are extremely sensitive to such orders. However, nationalism, even in minimal doses introduced into speech and writing, takes the spoken words and texts beyond the limits of scholarship, turning them into propaganda statements. So the 1915 book "Traders and Heroes. Reflections of a Patriot" belongs to the propaganda genre, which is an apology for the war. In it, the most famous economist and sociologist of his time justifies the war on the part of Germany by the fact that the development of economy, culture, communication, caused and promoted by market capitalism, turns into consequences that destroy the very foundations of human existence. Mainly — the growth of selfish individualism, the desire for comfort and the fullest possible realization of everyday needs and pleasures. According to the author, the war of German "heroes" against the "traders" personified by the British will turn the human race to recognize the paramount importance of high ideals of spiritual culture. This a priori introduced initial distinction is clarified by a set of dichotomous oppositions: "us — them", "high — low", "sacred — profane", "good — evil", "general — individual". Talking from a radically nationalist perspective turns the apologetics of culture into the apologetics of war. As a result, war is one of those rather rare events that are mythologized and mystified in the most radical way. In W. Sombart’s descriptions, the undeniable, as he is convinced, spiritual significance of war obscures and marginalizes the pain, suffering, loss and destruction that accompany it.
Keywords: apology, war, Sombart, propaganda, sociology
References
Antolovich, M. (2019). War of Peoples for World-Views: Werner Sombart and idea from 1914. [In Serbian]. Issues in Ethnology Anthropology, 14, 2, 673–691. [=Антоловић, М. (2019). Рат народа за светоназоре: Вернер Зомбарт и идеjе из 1914. Етноантрополошки проблеми, 14 (2), 673–691].
Bridgham, F. (Ed.) (2006). The First World War as a Clash of Cultures. New York: Camden House.
Chalmers, S. (2020). Negative Mythology. Law and Critique, 31, 59–72.
Fournier, M. (2006). Marcel Moss. A Biography. Tr. by J.M. Todd. Princeton, Oxford: Princeton University Press.
Joas, H. (1990). The Classics of Sociology and the First World War. Thesis Eleven, 27, 101–124.
Joas, H., Knöbl, W. (2013). War in Social Thought. Hobbes to the Present. Princeton: Princeton University Press.
Joas, H. (2021). The Power of the Sacred. An Alternative to the Narrative of Disenchantment. New York: Oxford University Press.
Grundmann, R., Stehr, N. (2001). Why Is Werner Sombart Not Part of the Core of Classical Sociology? From Fame to (Near) Oblivion. Journal of Classical Sociology, 1 (2), 257–287.
Lenger, F. (1995). Verner Sombart als Propagandist eines deutschen Krieges. In: W.J. Mommsen (Ed.), Kultur und Krieg: Die Rolle der Intellektuellen, Künstler und Schriftsteller im Ersten Weltkrieg: De Gruyter Oldenbourg.
Lenger, F. (2012). Werner Sombart 1863–1941. 3rd ed. Munich: C.H. Beck.
Mitzman, A. (1987). Personal Conflict and Ideological Options in Sombart and Weber. In: W.J. Mommsen, J. Osterhammel (Eds.), Max Weber and His Contemporaries (pp. 99–105). London, New York: Routledge, Tailor & Francis Group.
Moore, G. (2001). The Super-Hun and the Super-State: Allied Propaganda and German Philosophy During the First World War. German Life and Letters, 54 (4), 310–330.
Pietilä, K. (2011). Reason of Sociology. George Simmel and Beyond. London: SAGE Publications Ltd.
Sombart, V. (2018). Händler und Helden: Patriotische Besinnungen. German Ed. Birmingham: Wentworth Press.
Sombart, V. (2021). Traders and Heroes. Patriotic Reflection. London: Arctos.
Whyte, I.B. (2006). Anglo-German Conflict in Popular Fiction 1870–1914. In: F. Bridgham (Ed.), The First World War as a Clash of Cultures (pp. 41–100). New York: Camden House.
Received 05.12.2022